Darmstädter Ferienkurse 2018

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Works

Average proportion of works per concert

  • 54% female
  • 44% male
  • 2% non-binary

Concerts only featuring works by men

8 out of 64

Works performed by author gender

  • 80 male
  • 74 female
  • 1 non-binary

Performers

Average proportion of performers per concert

  • 32% female
  • 66% male
  • 3% non-binary

Concerts only featuring male performers

16 out of 64

Performers by gender

  • 112 male
  • 59 female
  • 1 non-binary

Notes

  • These statistics cover performances at the Darmstadt Summer Course 2018, but do not include presentations, discussions, or lectures.
  • The members of the following groups are not listed in online programs and are not included in the above statistics: hr-Sinfonieorchester (14 July); Participants of the Percussion Studio (20 July); performers of Gillian Bibby’s “Anacrocosmos” (22 July); God’s Entertainment (23 July, 24 July); Participants of the Darmstadt Summer Course (24 July, 25 July); performers of Norma Beecroft’s “Contrasts” (25 July); Ensamble Cepromusic (25 July); performers of Myriam Marbe’s “Jocus secundus” (27 July); ChorWerk Ruhr (28 July).
  • No work or performer information was available for the following events: Composing for Accordion (21 July); Electronics Atelier II (22 July); Voice Electrification (24 July); Electronics Atelier III (25 July); Chamber Sessions (26 July); Composing with the Archive (26 July); Street Music (26 July); Nature Theater of Darmstadt (26 July); Discontinuity (26 July); Invisible Inaudible (26 July); Composer-Performer (26 July); Piano Studio (27 July); Dance & Music (27 July); Composing for Harp (28 July).